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It's 1983 and the crack cocaine epidemic is in its infancy in Los Angeles. Ambitious Lucia -- the daughter of a Mexican crime lord who sells marijuana throughout the city -- sees the burgeoning cocaine business as a potential moneymaker, so she manipulates her family into entering the more dangerous and profitable territory than pot. Getting involved with the new drug is setting her on a violent collision course with the likes of Franklin, a young street entrepreneur on a quest for power, and former Mexican wrestler Gustavo, who is caught up in a power struggle within a crime family. Also getting involved in the cocaine trade is CIA operative Teddy, who is running from a dark past and begins an off-book operation to fund Nicaraguan Contras. Oscar-nominated director John Singleton ("Boyz N the Hood") co-created the drama series and says he drew inspiration from his own life for Franklin's story.

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Philip and Elizabeth Jennings are two KGB spies in an arranged marriage who are posing as Americans in suburban Washington, D.C., shortly after Ronald Reagan is elected president. The couple have two children, Paige and Henry, who are unaware of their parents' true identities until they tell Paige after some time has passed. The complex marriage becomes more passionate and genuine each day but is continually tested as the Cold War escalates. As Philip begins to warm up to America's values and way of life, his relationship with Elizabeth becomes more complicated. Further complicating things is the arrival of the Jennings' neighbor, FBI agent Stan Beeman, who is part of a new division of the agency tasked with fighting foreign agents on U.S. soil. The drama series was created by former CIA agent-turned-author Joe Weisberg.
Ray Donovan is a "fixer" for Hollywood's elite. He is the go-to guy that the city's celebrities, athletes and business moguls call to make their problems disappear. It's a much more lucrative job than his previous work as a ruthless South Boston thug, vaulting him within reach of the truly wealthy and powerful. But no amount of money or the expensive things it can buy can completely mask Ray's past, a past that continues to haunt him with troubled brothers always calling and his father's recent release from 20 years spent in prison. Now a free man, Ray's father, Mickey, arrives in Los Angeles to get what he feels is rightfully his. Mickey's desire to reconnect and settle old scores with his family -- including Ray's wife and kids, who have never met the family's patriarch and are anxious to get to know him -- threatens to destroy everything Ray has built for himself.
Bassam "Barry" al-Fayeed, who has fully assimilated to living in America, is the son of a Middle Eastern dictator. Barry is a pediatrician in Los Angeles, but he and his family return to his native country for his nephew's wedding. It's his first visit in 20 years, but things don't go as planned. When his father dies suddenly, Barry and his family are embroiled in political upheaval and forced to stay in the country. A clash of cultures ensues as Barry is thrown back into the familial and national politics of his youth, which he had escaped by self-imposed exile.
"American Horror Story" was created by the co-creators of "Glee," but the shows have little in common besides that. The show revolves around the Harmons, a family of three, who move from Boston to Los Angeles in order to reconcile past anguish. What the Harmons don't know is that the house they've moved into is haunted. But it's not haunted by Casperesque friendly ghosts -- it's haunted by demonic creatures. The creatures have a history of not only spooking the house's residents but also devouring them. After living in this house, family patriarch and psychiatrist, Ben, may need a shrink of his own.
Young, anti-social computer programmer Elliot works as a cybersecurity engineer during the day, but at night he is a vigilante hacker. He is recruited by the mysterious leader of an underground group of hackers to join their organization. Elliot's task? Help bring down corporate America, including the company he is paid to protect, which presents him with a moral dilemma. Although he works for a corporation, his personal beliefs make it hard to resist the urge to take down the heads of multinational companies that he believes are running -- and ruining -- the world.
While living in the barrio of Jalisco, Mexico, poor Teresa Mendoza falls in love with a member of a successful drug cartel, hoping the love will help her rise above the hopelessness she feels in her life. When it doesn't happen, she is forced to flee the country after her boyfriend is murdered. She seeks refuge in America, where she teams up with an unlikely person from her past to take down the leader of the drug ring that is after her. Teresa ends up starting her own drug empire, becoming one of the world's wealthiest women in the process. With her success, she discovers that money doesn't fix all of her problems, and she can only depend on herself if she wants to stay one step ahead of others and stay alive.
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