The Pod heads to Havana, Cuba, where they all must reevaluate their personal and professional futures.

Marty tries to get K&A back into consideration for a buyout; Jeannie has a hard time spending the day away from the office; issues with the computer network lead to a discovery.

Marty and the others try to convince a boy band to re-sign with their record label; Jeannie is tired of being a politician's girlfriend; Doug's Ted Talk fame impacts his relationship.

Marty tries to convince idealist marijuana farmers to embrace a new idea; Doug delivers his Ted Talk.

Marty's entree hits a snag; the man Clyde hopes will be mayor shows interest in Jeannie; Roscoe gets his first modeling gig.

Marty reunites with a pair of obnoxious former clients to expand the business of a cruise line; Clyde hinders Doug's high-seas fantasy; Jeannie gets emotional.

Marty discovers that Monica has been offered a lucrative deal; Jeannie romances a client; Clyde works on a new venture; Doug wants the chance to give a Ted Talk.

Marty and the Pod consult for a company that is trying an unconventional management style; Doug considers romance with a new client; Clyde faces a breakup.

Jeannie's boyfriend drops a bomb; Marty chases potential new business at Doug's Dungeons & Dragons game; Clyde uncovers an issue.

Jeannie and Marty try to make co-parenting work; Doug and Clyde maneuver for position; Marty is approached with an intriguing offer.

Marty could make K&A a top firm if he can convince his employees to stay; Jeannie gives birth; Clyde, Doug and Kelsey wait for an offer; Roscoe faces consequences.

Worried about repercussions, Marty seeks to secure his place at the firm; Jeannie receives a proposition; Clyde reaches out to his father; Roscoe is at the center of an ugly incident.

A pitch to a CEO of a fast food chain causes conflict between Marty and Denna; Roscoe's business is exposed; Doug and Clyde learn they are involved with the same woman.

Marty and an artist sent by Denna butt heads; Jeannie has mixed feelings about a dinner invitation; Clyde's father pushes him to the breaking point.

Marty and Jeannie entice Denna with a retaliatory business move; things grow complicated between Doug and Kelsey; Clyde spends time with his father.

Difficulties arise when a payment is not received from a consult; Clyde's estranged father visits; Marty learns about Roscoe's endeavors; Jeannie pushes back.

Marty and the Pod hatch a new plan with Gage motors; Jeannie considers an attractive job offer; Roscoe cuts school.

Jeannie opposes Marty's plan when things between Ellis and Maya boil over; Clyde develops feelings for Kelsey while seeking investors.

After the Gage presentation falls apart, Marty devises a last-ditch plan; Jeannie has a meeting with a headhunter; Doug wants to join Clyde and Kelsey's new business venture.

Marty and Jeannie pitch opposite strategies to a skin-care company; Doug puts his foot down with Sarah; Clyde discusses a business idea with an unlikely partner.

Marty proves his business savvy in a meeting with an electric-car mogul; Jeannie orchestrates a chance encounter; Marty accuses Jeannie of being dishonest.

Emergency room nurse Jackie Peyton does everything she can to provide her patients with the best care possible while navigating the waters of a crumbling health-care system. But she has a secret that is increasingly difficult to keep from people -- she relies on Vicodin and Adderall to get her through high-stress shifts at a New York hospital, where she isn't above bending the rules to keep things running smoothly in the face of indifferent doctors, penny-pinching bean counters and miles of bureaucratic red tape.

David Duchovny returns to series television in this adult sitcom as Hank Moody, an alcoholic, womanizing novelist struggling to help raise his precocious daughter, Becca, while still yearning for his sophisticated ex, Karen. Also featured in the show are Hank's agent, Charlie, and his one-time wife, Marcy.

Oscar-nominated actor William H. Macy stars as Frank Gallagher, a single father of six who spends much of his free time drinking at bars. The Gallagher children -- led by oldest daughter Fiona (Emmy Rossum), who takes on much of the child-rearing responsibility due to her mother's absence -- manage to raise themselves in spite of Frank's lack of parenting and unusual parenting style when he does choose to act like a father. The drama is an adaptation of the BAFTA Award-winning British show of the same name.

Roadies are a largely underappreciated part of a concert. This comedy series, created by music industry veteran Cameron Crowe ("Almost Famous"), puts the hard-working individuals in the spotlight by providing an insider's look at the lives of some of the roadies for the Staton-House Band. Although they don't have the prolific lives and public scandals of the rockers who take the stage each night, there is still enough recklessness and romance to go around for the road crew. The roadies persevere through the issues they face in their personal lives to make sure the show goes on as planned every night.

Widowed suburbanite Nancy Botwin (Mary-Louise Parker) starts growing and selling marijuana to make enough money to support her family after her husband's unexpected death leaves her in big debt. Nancy has associates in her pot-growing business, which include Andy, who is her brother-in-law, and pot-smoking City Councilman Doug Wilson. Then there's the business of trying to keep the whole thing secret from people like her neighbor Celia.

The Pearson family's generational story unfolds in this emotional drama. In moments of love, joy, triumph and heartbreak, revelations emerge from parents Jack and Rebecca's past, while triplets Kate, Randall and Kevin discover deeper meaning in their present day lives. Successful businessman and father Randall searches for information about his biological parents. Kate finds love and self-acceptance while battling obesity. Kevin pursues a more meaningful career, which brings some difficult choices.

It's a generational clash when 40-something ad exec Thom Payne gets a new wunderkind boss, who is in his mid-20s. When his boss starts using words like digital, social and viral, Thom realizes he may need to rebrand himself to compete in a technology-driven world. His pursuit of happiness is going well to this point -- he has a beautiful house in the woods, a loving family, a roster of big-name clients and a trophy shelf filled with awards for his work -- but being slow to adapt compromises his quest. His immediate supervisor, 50-something Jonathan, has begun to embrace the changing environment and encourages Thom to do the same. Otherwise, Thom may be stuck being just "happyish" for the rest of his life.